I See the Beauty in this Life: A Photographer Looks at 100 Years of Rural California
California Historical Society
678 Mission St
San Francisco, CA 94105
Please join us for the opening celebration of the California Historical Society's exhibition, I See Beauty in this Life: A Photographer Looks at 100 Years of Rural California. This exhibition was curated by the writer and photographer Lisa M. Hamilton, a Center media fellow and the first visiting scholar in a new CHS series, "Curating California." The event includes a short performance by Hamilton and the world champion livestock auctioneer Max Olvera.
I See Beauty in this Life: A Photographer Looks at 100 Years of Rural California is on view at the California Historical Society from October 28, 2012 through March 24, 2013.
From Lisa M. Hamilton:
In many people’s experience, California consists of Los Angeles, San Francisco, Sacramento, and the highways that connect them. In reality, these urban centers make up only a fraction of the whole; according to the 2010 Census, the state of California is more than 94 percent rural. Surprise Valley, Lost Hills, Raisin City, Mecca—these are the communities that make up “the rest” of California.
Participants
Over the past two years, writer and photographer Lisa M. Hamilton has been telling the stories of these rural communities in her multimedia work Real Rural. For this exhibition she has delved into the collections of the California Historical Society to connect these present-day stories with the past. Featuring close to two hundred photographs, I See Beauty in This Life is a combination of large-scale color prints by Hamilton and her selections from California Historical Society’s vast photography collections—material dating from the 1880s through the mid-twentieth century, much of which has never been exhibited before. The photographs Hamilton has selected are not predictable views of pastoral windmills or heroic mule teams, but rather images that reflect her own keen interest in revealing the unexpected. Her approach to the Historical Society’s collections is different from that of an historian in that her first priority was to choose images that are outstanding for aesthetic reasons. Many of the photographs may have been taken by amateur and unknown photographers but they are remarkable for their beauty and unusual perspective. These press prints, snapshots, and publicity stills are also intimate records of struggle, celebration, community, and the endless work required to wrest a livelihood from the land. Together, they tell a complex—and sometimes humorous—story of the many different individual lives and landscapes comprising the vast mosaic that is the Golden State.