Corrective Lenses: On the Politics of Revision KEYNOTE ADDRESS "The Meaning of Pictures Not Seen: Revisiting Emmett Till" Professor Martin Berger University of Californiam, San...
Between the Lines: Philip Guston, the Holocaust, and ‘Bad Painting' Bryan Wolf, Jeanette and William Hayden Jones Professor in American Art and Culture at Stanford, recounts how Philip Guston scandalized the New York art wo...
Death At Work: Barthes and Warhol Look at the Human Face In this talk Noa Steimatsky excavates Roland Barthes’s “modern anthropology” of the face for certain operative figures to inform a consideration of Andy War...
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**Special Feature** Light refreshments served The Department of Art & Art History at Stanford University presents Sounding Board on view October 9 to November 18, with a reception on October 11, 5:30-8:30 PM, at...
1699-1779
Jean-Baptiste Simeon Chardin
Photo credit: Scala / Art Resources, NY
2007
Robert Dawson
A film by Jamie Meltzer
Courtesy: Joshua Forney
2006
Laser-cut plywood
John Edmark